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Custom kontakt library creator
Custom kontakt library creator










  • Added KSP: A new UI control container has been added (ui_panel).
  • Added KSP: Kontakt can now import whole performance views as NCKP files (that can be made with Creator Tools) through the new load_performance_view() command.
  • Added: There is a new wavetable mode (Inharmonic) that stretches the partials away from the harmonic series for more bell-like tones.
  • With KONTAKT 6.1, a new Inharmonic mode has been added to the wavetable module, stretching partials away from the harmonic series for more bell-like tones.

    custom kontakt library creator

    The single sound is now mapped across the entire keyboard, centered on C3.Native Instruments has announced the release of updates for its Kontakt 6 virtual sampler instrument and Creator Tools standalone application dedicated to improving the library creation and editing process.Ĭreator Tools 1.1 introduces the new GUI Designer tool, allowing creators to assemble, customize, and reuse KONTAKT performance views and controls without the need to write code. Requires Kontakt 4 or 5 - NOT compatible with free Kontakt PlayerĤ. KSP Focus Mapping Interface ( see overview page)Įffects section with custom convolution reverb IRs Audition all 127 sounds mapped in one keyboard instrument Now that sound is automatically mapped across the whole keybaord, so you can play it at different ptiches, make a patch, etc etc.ġ. This is where it gets clever - if you play a key and like the sound you hear, simply hit the 'Focus' button. Great for audtioning, but not so handy for working creatively with a sample. So, you can play each key and hear a different sound. With Thunder Drum, you start with 127 different samples all mapped in one instrument.

    custom kontakt library creator

    Soniccouture's Focus KSP Script makes it a pleasure to work with large groups of samples. Either you were given one huge folder of samples to sort through and try to make some sense of, or you might have a single sample mapped in each preset - meaning you'd have to slowly auditon each preset to find something you want. In the past, large sample sets of unpitched 'special effect' type sound were not easy to work with. The sounds can be pitched very low and still have some interesting high frequency content when working at full resolution. As the samples were intended to be manipulated, pitch shifted and mangled, the recordings were made at 96 kHz. For this instrument we recorded a variety of rumbles, peals of thunder, strikes, and special effects using contact mics.












    Custom kontakt library creator